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Hans Zimmer Has Done It Again

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High german flick composer

Hans Zimmer
Zimmer in 2018

Zimmer in 2018
Background data
Nascence name Hans Florian Zimmer
Born (1957-09-12) 12 September 1957 (age 64)
Frankfurt, Hesse, West Germany
Occupation(southward) Composer, record producer
Instruments Piano, keyboards, synthesizer, guitar, banjo
Years active 1977–present
Labels Remote Control Productions, Bleeding Fingers Music
Website
  • hanszimmer.com
  • hanszimmerlive.com
  • worldofhanszimmer.com

Musical artist

Hans Florian Zimmer (German pronunciation: [ˈhans ˈfloːʁi̯aːn ˈtsɪmɐ] ( audio speaker icon heed ); born 12 September 1957) is a German film score composer and record producer. His works are notable for integrating electronic music sounds with traditional orchestral arrangements, Since the 1980s, Zimmer has composed music for over 150 films. His works include The Lion Male monarch (for which he won the University Laurels for Best Original Score in 1995), Blood-red Tide, Gladiator, the Pirates of the Caribbean series, The Nighttime Knight Trilogy, Inception, Interstellar, Dunkirk, and Dune. He has received iv Grammy Awards, three Classical BRIT Awards, three Golden Globes, and an Academy Laurels. He was also named on the list of Height 100 Living Geniuses, published by The Daily Telegraph.[ane]

Zimmer spent the early function of his career in the Great britain before moving to the Us. He is the caput of the film music sectionalisation at DreamWorks studios and works with other composers through the company that he founded, Remote Control Productions,[2] formerly known equally Media Ventures. His studio in Santa Monica, California has an extensive range of computer equipment and keyboards, assuasive demo versions of film scores to be created apace.[3]

Early on life [edit]

Zimmer was born in Frankfurt, West Germany. As a young child, he lived in Königstein-Falkenstein, where he played the piano at home just had pianoforte lessons only briefly, equally he disliked the discipline of formal lessons.[4] In one of his Reddit AMAs, he said: "My formal preparation was two weeks of piano lessons. I was thrown out of eight schools. Simply I joined a band. I am self-taught. But I've ever heard music in my head. And I'm a kid of the 20th century; computers came in very handy."[5] Zimmer attended the Ecole D'Humanité, an international boarding school in County Bern, Switzerland.[6] He moved to London as a teenager, where he attended Hurtwood House school.[7] During his childhood, he was strongly influenced by the film scores of Ennio Morricone and has cited Once Upon a Fourth dimension in the West as the score that inspired him to become a flick composer.[8]

In a speech at the 1999 Berlin Moving picture Festival, Zimmer stated that he is Jewish, and talked about his mother surviving World State of war Ii cheers to her escape from Germany to England in 1939.[9] In an interview with Mashable in Feb 2013, he said of his parents: "My mother was very musical, basically a musician and my father was an engineer and an inventor. And then I grew up modifying the piano, shall nosotros say, which made my mother gasp in horror, and my father would think information technology was fantastic when I would attach chainsaws and stuff similar that to the piano because he idea it was an evolution in technology."[10] In an interview with the German television station ZDF in 2006, he commented: "My father died when I was just a child, and I escaped somehow into the music and music has been my best friend."[11]

Career [edit]

1977–1988 [edit]

Zimmer began his career playing keyboards and synthesizers in the 1970s, with the ring Krakatoa.[12] He worked with the Buggles, a new wave band formed in London in 1977 with Trevor Horn, Geoff Downes, and Bruce Woolley. Zimmer can exist seen briefly in the Buggles' music video for the 1979 song "Video Killed the Radio Star".[xiii] Afterward working with the Buggles, he started to work for the Italian group Krisma, a new wave ring formed in 1976 with Maurizio Arcieri and Christina Moser. He was a featured synthesist for Krisma'south third anthology, Cathode Mamma. He has also worked with the band Helden (with Warren Cann from Ultravox).[14] Both Zimmer (on keyboards) and Cann (on drums), were invited to be part of the Spanish group Mecano for a alive performance in Segovia (Kingdom of spain) in 1984. Two songs from this concert were included in the "Mecano: En Concierto" album released in 1985 only in Espana. In 1985, he contributed to the Shriekback album Oil & Golden.[15] In 1980, Zimmer co-produced a single, "History of the World, Part ane," with, and for, UK punk band The Damned, which was also included on their 1980 LP release, The Black Album, and carried the description of his efforts as "Over-Produced past Hans Zimmer."

While living in London, Zimmer wrote advertizing jingles for Air-Edel Associates.[14] In the 1980s, Zimmer partnered with Stanley Myers, a prolific film composer who wrote the scores for over sixty films. Zimmer and Myers co–founded the London–based Lillie Yard recording studio. Together, Myers and Zimmer worked on fusing the traditional orchestral sound with electronic instruments.[sixteen] Some of the films on which Zimmer and Myers worked are Moonlighting (1982), Success Is the Best Revenge (1984), Insignificance (1985), and My Cute Laundrette (1985). Zimmer'southward first solo score was Concluding Exposure for director Nico Mastorakis in 1987, for which he likewise wrote the songs. Zimmer acted as score producer for the 1987 film The Concluding Emperor, which won the University Award for Best Original Score.[14]

One of Zimmer's most durable works from his time in the United Kingdom was the theme vocal for the television game show Going for Gold, which he composed with Sandy McClelland in 1987. In an interview with the BBC, Zimmer said: "Going for Aureate was a lot of fun. It's the sort of stuff y'all practice when you lot don't accept a career nevertheless. God, I just felt so lucky considering this thing paid my rent for the longest fourth dimension."[17]

1988–2000 [edit]

A turning signal in Zimmer'southward career occurred with the 1988 film Pelting Human.[xvi] Hollywood director Barry Levinson was looking for someone to score Rain Man, and his wife heard the soundtrack CD of the anti-apartheid drama A World Apart, for which Zimmer had composed the music. Levinson was impressed past Zimmer'south piece of work and hired him to score Rain Man.[18] In the score, Zimmer uses synthesizers (mostly a Fairlight CMI) mixed with steel drums. Zimmer explained that "It was a route movie, and road movies usually accept jangly guitars or a bunch of strings. I kept thinking don't be bigger than the characters. Try to go on it independent. The Raymond character doesn't actually know where he is. The earth is and then different to him. He might as well be on Mars. Then, why don't we just invent our own world music for a globe that doesn't really exist?"[nineteen] Zimmer'due south score for Pelting Human being was nominated for an Academy Honour in 1989, and the film won four Academy Awards including Best Picture.[20]

A twelvemonth after Rain Homo, Zimmer was asked to compose the score for Bruce Beresford'southward Driving Miss Daisy which, similar Rain Man, won an Academy Laurels for All-time Picture. Driving Miss Daisy's instrumentation consisted entirely of synthesizers and samplers, played by Zimmer. According to an interview with Sound on Audio magazine in 2002, the piano sounds heard inside the score come from the Roland MKS–twenty, a rackmount synthesizer. Zimmer joked: "It didn't sound anything like a pianoforte, but it behaved like a piano."[21]

"I listen to [Zimmer's] music and I don't fifty-fifty have to shut my eyes. I can run across the pictures. And that'due south why, in many respects, I know I can talk pictures with Hans. He responds to pictures."

—Ridley Scott, director and producer and frequent collaborator with Zimmer.[22]

The soundtrack to Ridley Scott's 1991 film Thelma & Louise by Zimmer featured the trademark slide guitar functioning by Pete Haycock on the "Thunderbird" theme in the film. Every bit a teenager, Zimmer was a fan of Haycock, and their collaboration on film scores includes K2 and Drib Zone.[23] Zimmer wrote the theme for Tony Scott's 1993 moving picture True Romance, which he based on Carl Orff's Gassenhauer. Gassenhauer had previously been used in the 1973 picture Badlands, which had a similar story of a beau and a girl on the run following a tearing crime.[24] The catchy theme, played on 9 marimbas, contrasts starkly with the violence of the film.[25]

For the 1992 picture The Power of Ane, Zimmer traveled to Africa in order to use African choirs and drums in the recording of the score. On the strength of this work, Walt Disney Characteristic Animation approached Zimmer to compose the score for the 1994 film The Lion King. This was to be his first score for an blithe film. Zimmer said that he had wanted to go to S Africa to tape parts of the soundtrack, but was unable to visit the state as he had a constabulary record at that place "for doing 'destructive' movies" subsequently his work on The Power of One. Disney studio bosses expressed fears that Zimmer would exist killed if he went to S Africa, so the recording of the choirs was organized during a visit by Lebo 1000.[26] Zimmer won numerous awards for his work on The Lion King, including an Academy Award for Best Original Score, a Golden Globe, and 2 Grammys. In 1997, the score was adjusted into a Broadway musical version which won the Tony Honour for Best Musical in 1998.[27] [28] As of April 2012[update], the musical version of The King of beasts King is the highest grossing Broadway bear witness of all time, having grossed $853.8 million.[29]

Zimmer's score for Tony Scott's 1995 film Scarlet Tide won a Grammy Honor for the main theme, which makes heavy use of synthesizers in place of traditional orchestral instruments. For The Thin Red Line (1998), Zimmer said that the managing director Terrence Malick wanted the music before he started filming, so he recorded 6 and a half hours of music.[nineteen] Zimmer'southward next project was The Prince of Egypt (1998), which was produced past DreamWorks Animation. He introduced Ofra Haza, an Israeli Yemenite singer, to the directors, and they thought she was so cute that they designed 1 of the characters in the film to look like her.[19]

Zimmer'south score for the 1998 film The Thin Crimson Line is regarded as one of his most of import works. The nine minute cue at the climax of the film, "The Journey to the Line" uses a recurring theme based on four chords, combined with a "ticking clock" motif that has been featured in a range of subsequent scores composed past Zimmer.[thirty] The piece has been used in numerous trailers and video games, and has earned the nickname "the forbidden cue" due to the trend of film makers to use it equally a temp track for dramatic scenes.[31]

2000–2012 [edit]

Zimmer at The Dark Knight premiere in 2008.

In the 2000s, Zimmer composed scores for Hollywood blockbuster films including three Ridley Scott films, Gladiator (2000), Black Hawk Downwardly and Hannibal (2001), followed past The Last Samurai (2003), Madagascar (2005), The Da Vinci Code (2006), The Simpsons Pic (2007), Kung Fu Panda (2008), Angels & Demons (2009), and Sherlock Holmes (2009). Other work in the 2000s included the Castilian language motion picture Casi Divas,[32] and The Called-for Plain (2009). He composed the theme for the television battle series The Contender and worked with Lorne Balfe on the music for Telephone call of Duty: Modern Warfare two, which was his first video game projection.[33] Zimmer also collaborated with composers Borislav Slavov and Tilman Sillescu to create the score for the video game Crysis 2.[34]

In October 2000, Zimmer performed live in concert for the kickoff time with an orchestra and choir at the 27th Annual Flemish region International Picture Festival in Ghent.[35] While writing the score for The Last Samurai, Zimmer felt that his noesis of Japanese music was extremely limited. He began doing all-encompassing inquiry, but the more he studied, the less he felt he knew. Finally, Zimmer took what he had written to Nihon for feedback and was shocked when he was asked how he knew so much nigh Japanese music.[19]

During the scoring of The Last Samurai in early 2003, Zimmer was approached by the producer Jerry Bruckheimer, with whom he had worked previously on Cherry Tide, Days of Thunder, The Rock, and Pearl Harbor. Bruckheimer had finished shooting Pirates of the Caribbean: The Curse of the Black Pearl but was unhappy with the music equanimous for the film by Alan Silvestri and wanted a replacement score.[36] Bruckheimer wanted Zimmer to rescore the movie, but due to his commitments on The Last Samurai, the task of composing and supervising music for Pirates of the Caribbean: The Curse of the Black Pearl was given to Klaus Badelt, one of Zimmer'due south colleagues at Media Ventures. Zimmer provided some themes that were used in the film, although he is not credited on screen.[37] [38] Zimmer was hired every bit the composer for the three subsequent films in the serial, Pirates of the Caribbean: Dead Man'south Chest (2006), Pirates of the Caribbean: At Earth's Stop (2007), and Pirates of the Caribbean: On Stranger Tides (2011), collaborating with Rodrigo y Gabriela for the last.[39]

Zimmer is also noted for his work on the scores of Christopher Nolan's Batman Begins (2005) and The Night Knight (2008), on which he collaborated with James Newton Howard.[17] For the soundtrack of The Nighttime Knight, Zimmer decided to represent the character of The Joker by a single note played on the cello by his long-time colleague Martin Tillman. Zimmer commented "I wanted to write something people would truly hate."[forty] The scores for these films were butterfingers from receiving Academy Award nominations for Best Original Score due to too many composers beingness listed on the cue sheet.[41] Zimmer succeeded in reversing the determination non to nominate The Dark Knight in December 2008, arguing that the procedure of creating a modern picture score was collaborative and that it was important to credit a range of people who had played a part in its production.[42] Zimmer explained his approach to scoring with other musicians in an interview with Soundtrack.internet in 2006:

Originally I had this thought that it should exist possible to create some kind of community effectually this kind of work, and I think past muddying the titles – not having "you are the composer, you lot are the arranger, you are the orchestrator" – it just sort of helped us to work more collaboratively. It wasn't that important to me that I had "score by Hans Zimmer" and took sole credit on these things. It'southward like Gladiator: I gave Lisa Gerrard the co-credit because, even though she didn't write the main theme, her presence and contributions were very influential. She was more than than simply a soloist, and this is why I take such a trouble with specific credits.[43]

For the 2009 film Sherlock Holmes, "The Daily Variety" reported that Zimmer purchased an out-of-melody pianoforte for 200 dollars and used information technology throughout the scoring process because of its "quirkiness".[44] For the 2011 sequel, Sherlock Holmes: A Game of Shadows, Zimmer and managing director Guy Ritchie incorporated authentic Romani music, which they researched by visiting Slovakia, Italy, and France. The music in the picture is played by Romani virtuoso musicians.[45] [46]

For the 2010 motion-picture show Inception, Zimmer used electronic manipulation of the song "Non, je ne regrette rien". The horn sound in the score, described by Zimmer every bit "similar huge foghorns over a metropolis" became a pop feature in picture trailers. "Information technology's funny how that sort of thing becomes office of the zeitgeist," he said. "But I suppose that's exactly what trailers are looking for: something iconic, lasts less than a second, and shakes the seats in the theater."[47] [48]

In 2012, Zimmer composed and produced the music for the 84th Academy Awards with Pharrell Williams of The Neptunes.[49] He likewise composed a new version of the theme music for ABC World News.[fifty] Zimmer also equanimous the score for The Night Knight Rises, the final installment of Christopher Nolan'southward The Dark Knight Trilogy. The flick was released in July 2012.[51] Zimmer described himself as "devastated" in the aftermath of the 2012 Aurora, Colorado shooting, which occurred at a screening of The Dark Knight Rises, commenting, "I merely feel and then incredibly sad for these people." He recorded a track entitled "Aurora", a choral arrangement of a theme from the Dark Knight Rises soundtrack, to raise coin for the victims of the shooting.[52]

2012–present [edit]

Zimmer co-composed the music for the television series The Bible, which was broadcast in March 2013, with Lorne Balfe and Lisa Gerrard, and the score for 12 Years a Slave, which won the Academy Award for All-time Picture in March 2014. Zimmer composed the Tomorrowland Hymn for the Tomorrowland festival to gloat its 10th anniversary in July 2014.[53]

Zimmer composed the music for the 2014 film The Amazing Spider-Man 2 alongside "The Magnificent 6", which consisted of Pharrell Williams, Johnny Marr, Michael Einziger, Junkie XL, Andrew Kawczynski, and Steve Mazzaro.[54] [55] Zimmer too composed the music for Christopher Nolan's 2014 film Interstellar, which earned him another Academy Laurels nomination for Best Original Score.[56] He partnered with Junkie XL to compose the music for the 2016 film Batman v Superman: Dawn of Justice. In an interview with BBC News in March 2016, Zimmer said that he was retiring from composing the music for superhero films, proverb of Batman v Superman: "This 1 was very hard for me to do, to try to find new language".[57]

Zimmer composed the main theme for the 2016 BBC nature documentary Planet Earth II, presented by David Attenborough. He after composed the score for the 2017 BBC nature documentary Blueish Planet II alongside Jacob Shea and David Fleming, also presented past David Attenborough.[58] [59] Zimmer composed the main theme for the 2016 Netflix production The Crown.[60] Also in 2016 Zimmer released an online course education the basics of film scoring.[61] He side by side composed the score for Christopher Nolan'due south 2017 moving-picture show Dunkirk, basing role of the score on a recording of a ticking picket that he had been given by Nolan.[62] Zimmer also worked on the score for Denis Villeneuve'southward Bract Runner 2049. Hans Zimmer and co-composer Benjamin Wallfisch took over scoring duties subsequently Jóhann Jóhannsson left the project.[63]

In 2018, Zimmer equanimous the score for the television set intro of the 2018 FIFA World Cup in Russian federation, called "Living Football game".[64] Likewise in 2018, Zimmer remixed the UEFA Champions League Anthem with rapper Vince Staples for EA Sports' FIFA video game FIFA 19, with it as well featuring in the game'south reveal trailer.[65] Zimmer composed the score for Nighttime Phoenix, directed by Simon Kinberg, contrary to his 2016 statements of not scoring another superhero film following his feel working on Batman 5 Superman: Dawn of Justice.[66] Likewise for 2019, he scored the photorealistic calculator-animated remake of Disney's The Lion Male monarch, directed by Jon Favreau.[67]

On 22 August 2018, Zimmer was also announced as the composer for Wonder Adult female 1984.[68] On 18 March 2019, it was announced that Zimmer will be scoring Denis Villeneuve's Dune.[69] In June 2019, Zimmer was hired to create sounds for BMW'south concept vehicle, the Vision M Next.[70]

In 2020, Zimmer equanimous the score for Hillbilly Elegy.[71] On 6 January 2020, it was announced that he would be taking over every bit composer for the James Bond pic No Time to Die after previous composer Dan Romer left the project.[72] On 26 February 2020, Major League Soccer released an canticle for its 25th season, which was composed by Zimmer.[73]

Zimmer also composed for the film Dune [74] and is prepare to practise so again for the sequel.

Personal life [edit]

Zimmer's start wife was model Vicki Carolin, with whom he has a daughter.[75] The couple divorced in 1992.[76] On 3 April 2020, Zimmer filed for divorce from his second wife Suzanne Zimmer, with whom he has three children.[76]

In an interview in May 2014, Zimmer revealed that it was difficult growing upward in post-State of war Germany being Jewish and said, "I retrieve my parents were always wary of me telling the neighbors" that they were Jewish.[77]

Awards and honors [edit]

Zimmer'due south Star on the "Boulevard der Stars" in Berlin

Zimmer has received a range of honors and awards, including the Lifetime Achievement Laurels in picture show Composition from the National Board of Review, the Frederick Loewe Accolade in 2003 at the Palm Springs International Film Festival, ASCAP's Henry Mancini Award for Lifetime Achievement, and BMI'south Richard Kirk Award for lifetime achievement in 1996.

In December 2010, Zimmer received a star on the Hollywood Walk of Fame. He dedicated the award to his publicist and long-term friend Ronni Chasen, who had been shot and killed in Beverly Hills the previous calendar month.[78]

In 2016, Zimmer was one of the inaugural winners of the Stephen Hawking Medal for Science Advice.[79]

In November 2017, a master-chugalug asteroid (495253) 2013 OC8 discovered by Polish astronomers Michal Kusiak and Michal Zolnowski was named Hanszimmer.[fourscore]

Equally of 2018[update], Zimmer had received xi Academy Award nominations for his work, with a win at the 67th Academy Awards for the 1994 motion-picture show The Lion Male monarch.[81]

On 2 October 2018, Zimmer received the Order of Merit of the Federal Republic of Germany.[82]

In 2019, Zimmer was inducted every bit a Disney Legend.[83]

Discography [edit]

References [edit]

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External links [edit]

  • Official website
  • Hans Zimmer at IMDb
  • Interview with Hans Zimmer in Film Score Monthly
  • Interview with Hans Zimmer about Sherlock Holmes from C Music Television
  • Focus.De
  • Interviews with Hans Zimmer

rodrigueztherstre.blogspot.com

Source: https://en.wikipedia.org/wiki/Hans_Zimmer

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